There was but one other woman at the hospital. It had been a farmhouse. The man and both sons had been killed during the first year of the war, and the woman had asked to be allowed to stay on. Her name was Madame Lelanne. She was useful by reason of her great physical strength. She could take up a man as he lay and carry him on her outstretched arms. It was an expressionless face, with dull, slow-moving eyes that never changed. She and Joan shared a small grenier in one of the barns. Joan had brought with her a camp bedstead; but the woman, wrapping a blanket round her, would creep into a hole she had made for herself among the hay. She never took off her clothes, except the great wooden-soled boots, so far as Joan could discover. Suddenly, and intensely to her own surprise, she fell into a passionate fit of weeping. There was no reason for it, and it was altogether so unlike her. But for quite a while she was unable to control it. Gradually, and of their own accord, her sobs lessened, and she was able to wipe her eyes and take stock of herself in the long glass. She wondered for the moment whether it was really her own reflection that she saw there or that of some ghostly image of her mother. She had so often seen the same look in her mother’s eyes. Evidently the likeness between them was more extensive than she had imagined. For the first time she became conscious of an emotional, hysterical side to her nature of which she had been unaware. Perhaps it was just as well that she had discovered it. She would have to keep a stricter watch upon herself. This question of her future relationship with Phillips: it would have to be thought out coldly, dispassionately. Nothing unexpected must be allowed to enter into it.!

She offered her cheek, and Joan kissed it, somewhat gingerly. She introduced her. Miss Tolley bowed; and allowed herself to be drawn away by a lank-haired young man who had likewise been waiting for an opening. He represented the Uplift Film Association of Chicago, and was wishful to know if Miss Tolley would consent to altering the last chapter and so providing “Running Waters” with a happy ending. He pointed out the hopelessness of it in its present form, for film purposes.

“It won’t be wasted,” he answered. “The land is there. I’ve seen it from afar and it’s a good land, a land where no man shall go hungry. If not I, another shall lead the people into it. I shall have prepared the way.” And as she did so, it seemed to her that someone passing breathed upon her lips a little kiss: and for a while she did not move. Then, treading softly, she looked into the room. “Thanks,” he answered. “I may ask you to later on. But just now—” He paused.